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Below the Clavicle

by Eartheater

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about

Eartheater unveils a new single, “Below The Clavicle.” It is her first release for PAN since her 2018 album IRISIRI.

Eartheater shares the following about the track: “I wrote ‘Below the Clavicle’ when I was waiting to understand more about a situation before talking about it — when the meaning was still below the clavicle and hadn’t made it up to my head yet. The understanding was still underground — forging in my heart and gut. In my upcoming album, I thought a lot about lava and volcanoes and the formation of stone and mountains.”

lyrics

Come back to me and take me riding
Let’s just get physical don’t wanna talk
There’s a lump at the base
Stuck in the middle of my clavicle
I’m a clever girl
To keep my mouth shut
The meaning hasn’t come up yet
It’s still under the surface
Below the clavicle
Below the clavicle
I’ll wait cats got my bait
Severed on a plate
Worst would be to regret
What I said
Quiet as the blood on my bed
Quiet as the blood on my bed
Below the clavicle
Below the clavicle
Come back to me and take me riding
Let’s just get physical don’t wanna talk
There’s a lump at the base
Stuck in the middle of my clavicle
I’m a clever girl
To keep my mouth shut
The meaning hasn’t come up yet
It’s still under the surface
Below the clavicle
Below the clavicle

credits

released May 5, 2020
Written and arranged by Eartheater
Produced by Eartheater
Guitar performed by Eartheater
Harp performed by Marilu Donovan
Chamber arrangements performed by the Ensemble de Cámara CSMA:
Cello - Laura Sorribas
Violin I - Belén Pérez
Violin II - Celia Álvarez
Flute I - María del Barrio
Flute II - Ana Navarro
Recorded by Eartheater and Santiago Latorre at Etopia in Zaragoza Spain
Mixed by Kiri Stensby
Mastered by Heba Kadry
Art Direction by Eartheater and Daniel Sannwald
Photography by Daniel Sannwald
Special Thanks to FUGA

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about

Eartheater Queens, New York

The New York City-based artist, multi-instrumentalist, composer and vocalist Eartheater distills experimental digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly gestural electronica. ... more

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