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Phoenix: La Petite Mort Édition

by Eartheater

supported by
vinnyafeliyplath
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vinnyafeliyplath Gonna be fly into darkness Favorite track: Faith Consuming Hope (La Petite Mort Edit).
Philip Graham
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Philip Graham At first Eartheater's Phoenix appears otherworldly, though really it's as grounded as can be--this music sounds like the secret wordless soundtrack to a dream. Favorite track: Bringing Me Back (La Petite Mort Edit).
madeline
madeline thumbnail
madeline I don't know what I was expecting from Eartheater, but ambient was not it. Hypnotic and expansive.
37735i6
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37735i6 eartheater's technical skills are capable of turning a beautiful record into a sublime , ethereal new trance where the listener's mind can submit to a place so familiar , yet so unknown . I'm looking forward to going back to conceptual phoenix in original form , live sets , and la petite mort edition for infinity 🤍 Favorite track: Little Horns (La Petite Mort Edit).
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about

Last year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.

Eartheater is now sharing a fully reworked version of the album, Phoenix: La Petite Mort Édition, out February 26, 2021 on PAN. Originally conceived as a “sleep” mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.

“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.” - Eartheater

credits

released February 26, 2021

All music and lyrics written and arranged by Eartheater
Produced by Eartheater
Guitar performed by Eartheater
Piano performed by Eartheater
Harp performed by Marilu Donovan
Violin performed by Adam Markiewicz
Chamber arrangements performed by the Ensemble de Cámara CSMA:
Cello - Laura Sorribas
Violin I - Belén Pérez
Violin II - Celia Álvarez
Flute I - María del Barrio
Flute II - Ana Navarro
Engineered by Eartheater, Santiago Latorre and Kiri Stensby
Mixed by Kiri Stensby
Mastered by Rashad Becker
Recorded in Zaragoza, Spain and Ridgewood, New York
Art Direction by Eartheater and Daniel Sannwald
Photography by Daniel Sannwald

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Eartheater Queens, New York

The New York City-based artist, multi-instrumentalist, composer and vocalist Eartheater distills experimental digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly gestural electronica. ... more

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